Category Archives: Blog

5 Questions with PMA’s Research & Sustainability Intern, Julia Kramer

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This summer Julia Kramer had the opportunity to participate in a paid internship at PMA. It has been a delight to have Julia working with all levels of staff at PMA to assist with our sustainability initiatives for historic properties. In addition to working as an intern, Julia is a graduate teaching assistant at Portland State University. She is currently in her third and final year of completing her Master of Architecture Degree & Graduate Certificate in Urban Design at Portland State University. Julia is a member of the Society of Architectural Historians, the Architecture Lobby, Portland Chapter, and Women Also Know History.

Describe the focus of your internship at PMA. What aspects of your internship opportunity have you enjoyed most?
The focus of this internship is spread out into several initiatives PMA is making towards sustainability. I am working on collecting resources for an upcoming presentation, making connections in the local community for opportunities to recycle demolition waste, finding innovative processes to recycle or reuse of demolition waste, and looking at innovative strategies in creating and monitoring efficient building envelopes in historic buildings. Overall, the aspect of this internship I am enjoying the most is learning how historic preservation plays a crucial part in the design of sustainable buildings and cities, and all of the fascinating technologies that contribute to the actualization of those spaces.

Has your internship changed your perspective on historic preservation, or working with existing resources?
Absolutely! Throughout my architectural education, I have found myself consistently interested in architectural history. It wasn’t until recently that I understood what I am truly passionate about is Historic Preservation. I have found that my work as a creative person, an activist, and community member can be best expressed through working in Historic Preservation. This work allows me to use my knowledge and passion of architecture, art, and history, to actively support communities and cultures, seek sustainable solutions that work with the already built environment, and overall offers creative challenges that continually spark my curiosity.

How will your internship experience influence your studies when you return to school?
As a student in my third and final year at PSU I will begin my thesis project in the Fall and am considering a few topics, all related to historic preservation. Through this internship I have gained invaluable tools including new knowledge, resources, mentors and connections with real leaders in this field.

Do you have a favorite aspect about architecture or historic preservation?
My favorite aspect of architecture and historic preservation is that I have the privilege of doing work I truly believe in. As an architectural designer with a passion for historic preservation I seek to be a collaborative member in the design, redesign, and celebration of cities and their citizens. I believe to do so, it is important to recognize the memory and heritage of each space, and seek to preserve, teach, and tell the histories and narratives of those spaces.

Do you have any tips for working remotely for a new firm during these pandemic/quarantine times?
Working for a new firm during these pandemic/quarantine times has gone really well. I believe it has a lot to do with the small firm culture that exists at PMA. I have felt like a recognized member of the firm, am asked how I am and what I am up to every morning during our zoom meeting, and have been reached out to by all members of the firm at some point. Even taking our lunch breaks together over zoom sometimes. I think the effort put into those small aspects have made a great impact in creating a sense of firm community.

It Is Time To Get To Work

It is time to get to work. The architecture and preservation communities have a significant amount of work to do. This is a start of the important work to be done to increase visibility and tell the fuller story.
black-lives-matter-architecture-resources
ARCHITECTURE + DESIGN
African American Cultural Heritage Action Fund
Beyond the Built Environment
Black Artists + Designers Guild
Blacks Who Design
Black Interior Designers Network
Black Design Collective
Black Females in Architecture
BlackSpace
Brandnu Design
Creative Action Lab
Creative Equals
Deem Journal
Design Can
Design Diversity
Design Indaba
Designing Justice + Designing Spaces
Female Design Council
Hip Hop Architecture Camp
National Association of Black Women in Construction
National Organization of Minority Architects
Now What?! + ArchiteXX
Organization of Black Designers
People of Craft
Studio SUMO
The Designer’s Workshop

DONATE + SUPPORT
ACLU
Black Lives Matter
Black Visions Collective
The Bail Project
Campaign Zero
Color of Change
Equitable Giving Circle
Mercatus: PDX Black-Owned Business Directory
NAACP Legal Defense Fund
PDX Directory of Black-Owned Restaurants
Reclaim the Block
Transgender Gender-Variant & Intersex Justice Project
Unicorn Riot

LITERATURE
Ally Resources
A guide to fair, safe, and effective community policing
List of books via Medium to assist in checking your white privilege
SPACE/RACE

Architecture from the 1970s is officially historic!

The 1970s have turned 50. Whether you love the groovy lines, metallic finishes, whimsy super-graphics, or hate the monolithic and corporate concrete facades, architecture from 1970 is officially historic. One more time for those in disbelief that 1970s era architecture has reached its golden anniversary: 1970 architecture is historic! Get ready for the National Register of Historic Places to have some righteous listings.

The Portland metro-area is rich with architectural resources from the 1970s. The Standard Insurance Center (1970), Portland Plaza (1973), Foursquare Church (1976), Union Bank of California Tower (1972), and the Wells Fargo Center (1972) to name a few. Additionally, there are several residential examples from the 1970s, including Dahlke Manor.
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DAHLKE MANOR
Dahlke Manor was constructed in 1971 and features a nine-story tower, housing 115 one-bedroom units, and a 1-story community space/maintenance room connected to the tower by an elongated lobby. Dahlke Manor is located in the Irvington Historic District and Albina Community Plan Area, and owned by Home Forward. The property is reserved for a community of seniors and persons with disabilities, and features a community room with kitchen, on-site laundry, and landscaped grounds. Presently, we are working with Walsh Construction on a comprehensive renovation to the property and site.

Proposed scope of work includes a variety of minor alterations to provide modern amenities to the residents of Dahlke Manor. In addition to interior renovations to the units and 1-story common area, exterior alterations include a small 725 square foot addition where the existing kitchen will be relocated to. The addition is proposed to be located to the north of the community space – and to the west of the maintenance room. The addition is slightly offset from the adjacent existing building facades to remain. The stepping serves both as a reference to the tower’s stepped footprint and to create a clean transition between existing and new materials. The addition will match the height of the adjacent community and maintenance rooms.

Project Manager Hali Knight, Assoc. AIA, and Halla Hoffer, AIA, Assoc. DBIA, sat down to discuss their design philosophy and the design process for the renovation of Dahlke Manor.

What are the steps in the design process for this project?
HK: The design process has been a collaboration with the client, Home Forward, Walsh Construction, and our subconsultants. During schematic design, the process was iterative, each week looking at several design options which were presented to address the client’s needs. The design was refined with the received feedback until a solution that met the design intent and the client/users’ needs was reached.

HH: The first step was to learn about the client and user needs. Following that we explored the existing building. Renovation projects are always unique challenges because each building has its own challenges and opportunities. Only after understanding what the clients/users need and what the building can provide is it possible to begin designing.
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What are the challenges for this project?
HK: In retrofitting existing buildings, there are challenges updating program needs with in an existing structure. A challenge for Dahlke was meeting the zoning requirements for within a historic neighborhood. Like typical 1970s developments, the site plan has a low sprawling building and large tower plopped in the in middle of the site and surrounded with parking. Addressing the historic language of the neighborhood while providing required site pedestrian access, parking, stormwater management, and utility needs proposed unique design challenges.

HH: As with many projects, cost can be a challenge. With this project we are working with Home Forward and Walsh to maximize the impact of the project budget to provide continued and improved services and amenities to residents.
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What is your approach for solving these project challenges?
HK: The design team has approached these challenges by proposing site upgrades that benefit both the residents and neighborhood. Currently, the site is dominated by vehicle circulation without designed outdoor space for the residents to enjoy. Our team has designed an outdoor community spaces for the residents that helps softens the site and provides a place for residents to enjoy their neighborhood. Additionally, the design brings the project up to current code compliance for many zoning regulations including landscape screening and bike parking.

HH: We often review scope with Home Forward and Walsh to determine how best to spend the project budget. We continuously discuss which elements will have the biggest impact on improving the space and usability. The collaboration feasible in a Design-Build projects allows us to hone into the most impactful scope items and prioritize those.
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What do you see as important issues and/or considerations for this project?
HK: This is an affordable housing project and many of the residents are elderly or have mobility challenges. A large aspect of this project was to provide accessible units and community spaces that enhance the livability for residents. The site elements have also been designed to speak to the historic district with new site fencing that bends with new landscape, revised site lighting, and unifying addition on the ground floor.

HH: The building was constructed in the 1970’s and is quite utilitarian in style. The interior walls are constructed out of exposed CMU and structural brick. One of the challenges we have faced is how to update the interior finishes to provide spaces that are more welcoming without losing the character of the building.
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What is your design philosophy?
HK: I believe as architects we have a responsibility to design our built environment in ways that provide elegant solutions for the safety, health, and wellbeing of the inhabitants. This includes designs that are accessible to all users, that speak to environmental and cultural stewardship, and that create places that enrich day to day activities.

HH: I get excited about opportunities to explore how we can update our existing buildings. Each new project is a unique challenge – that can help guide the design process. I think it is important that we find ways to ensure existing buildings remain functional for modern uses.

Understanding the Veracity of In-Situ Data Acquisition on Historic Buildings

Many historic preservation, restoration, renovation, and/or adaptive reuse projects require the analysis of existing building materials. This could be to meet demands for repair treatments, ensure energy performance targets, or research the history and authenticity of a building or site (amongst many others). Projects often call for advanced analytic techniques such as infrared thermography, RILEM tube water absorption, acid-dissolution of mortar, petrography, x-ray diffraction, and a plethora of other scientific tests to ensure a proper understanding of the chemical and physical properties of the existing building materials. These tests are often costly and time-consuming. For these reasons, many projects rely on results from a single test, or a small handful of tests. This begs the question, are the results from a few analytical or forensic tests representative of the entire building (either in its performance or historical characteristics)?
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HISTORIC BUILDING MATERIAL PROPERTIES
Historic buildings present unique challenges. Unlike modern construction, historic buildings were built in a time without the same levels of standardization and mass-production that we see today. Home Depot was not a thing yet, and in its place, contractors were reliant on local hardware stores or local/regional distribution sources for building materials. In many cases, they made their own! As a result, when analyzing historic buildings today, the material properties are generally unknown and undocumented.

TIME AND THE ELEMENTS
Adding to the unknown is the process of time. Mother nature and the elements are a continuous impact – weathering historic buildings and changing the chemical and physical nature of extant materials. Different parts of a building will also weather at different rates, depending on several variables such as orientation, exposure, occupation, micro-climates, site and neighboring elements, water migration, and so on. There is also a good chance that over the years many repairs have been made, creating a patchwork of different materials. This creates buildings with highly varying characteristics and performance when measured in-situ.





Written by Daniel Castele, Designer and Conservator.

March is Women’s History Month

March is Women’s History Month, and we thought it fitting to celebrate the women that shape, contribute to, and inspire every aspect of our practice. Actively engaging in a more inclusive and equitable work place is an integral part of our firm philosophy. This is reflected by the 71% female representation across all levels of staffing at PMA. Below is a snapshot of the women at PMA, from what they contribute to, how they spend time outside of the fast-pace world of architecture and design.

pmapdx-march-womens-history-monthROLE: Associate / Architectural Designer
EDUCATION: Master of Architecture, University of Oregon; Bachelor of Arts, Architecture, Cum Laude, Clemson University

While at PMA Halimeda has completed numerous projects, primarily with a focus on restoration and building enclosure design for historic civic and educational facilities, and commercial tenant improvements. She understands how to effectively balance a strong design concept with the cost, sustainability, and goals of the client.

Halimeda is passionate about being an active and contributing member of her community and was a director of the local non-profit Open Architecture for 4 years. Living sustainably and mindfully are important to her. She feels rejuvenated when spending time in nature and her garden, making meals to share, playing music with friends, and reading a new book.

pmapdx-march-womens-history-monthROLE: Associate / Architect
EDUCATION: Master of Architecture, University of Oregon; Bachelor of Arts, Architecture, University of California, Berkeley

Halla is passionate about rehabilitating historic and existing architecture. Her career has encompassed civic structures and sites, K-12 and higher education facilities, affordable housing, and working directly with private development companies on renovation and rehabilitation projects. Halla’s approach balances technical knowledge, while excelling at organizing project processes to maintain schedule and budget.

She is a registered architect in the state of Oregon, and an Associate Design-Build Professionals (Assoc. DBIA). The Design-Build Institute of America is the only organization that defines, teaches and promotes best practices in design-build project delivery.

Halla’s favorite thing to do outside of the office is check out all of the different rivers, lakes, and streams throughout the PNW.

ROLE: Associate / Marketing
EDUCATION: Bachelor of Arts, Art History, Lewis & Clark College

A creative with a background in the arts – a former professional ballet dancer, lifelong painter, holds a Bachelor of Art, Art History – that works within the world of professional services marketing. Her education and professional experience have trained her to visually communicate complex ideas via a creative lens, implement strategic planning framework, and develop client-care best practices.

Giving back to the community has been a common thread throughout Kate’s career and education. She fulfills this through her involvement with local nonprofits by serving on their board of directors, volunteering her services, or assisting with fundraising opportunities. Kate is the current president of Docomomo US/Oregon, a local chapter of a national nonprofit dedicated to moving modern forward.

pmapdx-march-womens-history-monthROLE: Architectural Designer
EDUCATION: Master of Science of Architecture, University of Oregon; Master of Science in Historic Preservation, University of Oregon; Bachelor of Science in Architecture, Magna Cum Laude with Honors in Architecture, The Ohio State

Skyla’s interest in architecture and design began in grade school, and has since grown into a career dedicated to solving unique building enclosure challenges for historic properties. In her role as architectural designer, Skyla has worked on small-to large-scale projects from sustainable and historic materials research to construction documents. She is a team player that strives to bring preservation to the community in a way that is approachable, supportive, and celebrates local history.

In her free time, Skyla enjoys collaging, catching up with her friends and family, and spending time with her rescue cat Olive. Some of her favorite PNW activities include berry picking on Sauvie Island and hiking at Mt. St. Helens.

pmapdx-march-womens-history-monthROLE: Preservation Planner
EDUCATION: Candidate for Degree of Masters of Business Administration in Non-Profit Management, University of Portland; Masters of Science, Architectural Conservation, University of Edinburgh; Bachelor of Arts, History with honors, Amherst College

Tricia is a preservation planner with 5 years of experience on a wide variety of preservation projects. Her specialties include communicating and coordinating project deliverables with local, state, and federal historic review agencies, National Register Nominations, Federal Historic Tax Credit applications, State Historic Incentives, and conducting historic resource evaluations and surveys. She is dedicated to the process of reinvesting in our existing and historic properties.

Outside the office she is #optoutside in all manners of ways including hiking, backpacking, and climbing with her husband and rescue lab-mix pup, Juniper. She is an avid Ultimate player and currently the president of Portland Ultimate, a local nonprofit offering playing and growth opportunities to youth and adults.

Research Internship Opportunity

pmapdx-research-Internship blog 2_2020From historic to existing built infrastructure, our goal is to strengthen and enhance properties and sites that already exist. We bring together people who share our vision of delivering projects that contribute to and enhance our built environments. We are looking for individuals that share in our joy of working with owners, agencies, and other consultants, in meeting the challenges of re-investing in properties to create long-term success.

POSITION OVERVIEW
Peter Meijer Architect, PC (PMA) is looking for a part-time intern. Qualified candidates will be currently pursuing a graduate degree in either architecture or historic preservation and have experience with architecture, design, intensive research and formal writing. Ideally candidates will have enthusiasm for the proposed tasks and an interest in publishing their findings at the end of their internship.

JOB DUTIES
Develop a research schedule
Complete comprehensive topical research
Synthesize research arguments with supporting evidence
Draft reports and graphic data representations
Present findings to the PMA team at regular intervals

EXPERIENCE
Comfortable working with both qualitative and quantitative data analysis
Ability to write formally and concisely on a variety of topics
Familiar with contemporary research strategies, sources, and standards
Proficient in Microsoft Word; Microsoft Excel; Adobe InDesign; Adobe Illustrator; Adobe Photoshop

TIME & COMPENSATION
~20 hours/week
Flexible schedule (choose which weekdays you want to work)
Fixed amount of hours (part-time)
Hourly Rate: $18/hour for first three months;Initial term: June/July – August/September 2022; Subsequent term: Remaining calendar year

TO APPLY
Please submit a cover letter, resume, and relevant writing samples to info@pmapdx.com
Zip files are not accepted, please keep submissions to 10MB or less.

In-Situ R-Value of Old Buildings

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Architects are becoming ever more aware of their impact on the environment. The building sector is estimated to be responsible for 36% of worldwide energy use, and is responsible for 39% of energy-related carbon dioxide emissions.(1) Carbon emissions, embodied carbon, & life cycle assessments are now being studied like never before, and are becoming part of the architect’s daily lexicon. One side of this coin is research into building envelopes, insulation, and thermal resistance of building materials.

While contemporary building materials are produced under standardized, industrial manufacturing processes, and therefore have known thermal profiles; historic buildings are rather unique, with materials of unknown and inhomogeneous thermal characteristics. This presents architects and energy modelers with some uncertainty when making decisions related to insulating historic envelopes. With contradicting claims amongst professionals – some say historic exterior walls are energy hogs, while others purport many historic envelopes performing at or better than previously believed – the question that remains is, how well are historic envelopes resisting lateral heat flow?
In-Situ R-Value Blog
R=I/λ OF OLD BUILDINGS
As part of ongoing research, PMA is taking it upon themselves to study and better understand this phenomenon. The set-up in the image above is a Fluxteq R-value Measurement Kit. It is capable of measuring the r-value of building envelopes in-situ. A thermocouple and surface temperature sensor are affixed to the interior face of the historic concrete envelope, and one surface temperature sensor is mounted to the exterior of the envelope, directly opposite the interior sensor. Our testing will conduct both spot R-value measurements and long duration tests, so we can get an understand how the R-value fluctuates throughout the day and in response to external climate conditions.

This research is supported by PMA’s new initiative towards net zero historic buildings and sustainability.

For inquiries related to this research please contact: danc@pmapdx.com









1. https://www.worldgbc.org/sites/default/files/UNEP%20188_GABC_en%20%28web%29.pdf
Written by Daniel Castele, Designer and Conservator.

2019 Year in Review

pmapdx-2019

Wishing you a holiday season filled with cheer and delight, and a happy new year!

As we reflect over the past year, we’d like to take the opportunity to say we have truly enjoyed collaborating and communicating with you.

Thank you to our clients, partners, staff and colleagues, for helping us continue to revive and preserve our existing and historic environments.

2019 AWARDS
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2019-AWARDS-pmapdx (2)

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2019 TOP PROJECTS
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2019 COMMUNITY ENGAGEMENT
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We are Hiring!

we-are-hiringAt Peter Meijer Architect, PC (PMA), we integrate Design, Science, and Preservation. Founded in 2003, PMA provides our clients with professional architectural design, building envelope science, and preservation planning services throughout the Pacific Northwest with a core focus on existing and historic buildings.

WE’RE LOOKING FOR THE RIGHT FIT:
Our growing firm is seeking a creative, agile, authentic and collaborative architect designer to join our team. We are a firm of passionate, energetic and highly motivated individuals. We love our clients and their work! We’re a tight knit team and are looking for a candidate who shares our firm values: integrity, leadership, balance, and stewardship.

FIRM CULTURE:
Ours is an open and collaborative culture that values – and really does encourage – ideas from all corners of the office. If you desire leadership opportunities, we are open to hearing about it.

POSITION OVERVIEW:
We are searching for an aspiring Architect with a focus on technical nature of the work.

Ideally this person would be on the way to licensure and understand complex materials and detailing, contract documentation, sustainable building knowledge, and would develop strong liaisons with team members. The successful candidate will be proficient with Revit and AutoCAD software, and show strengths in developing their skills.

OTHER JOB DUTIES INCLUDE:
Ability to prioritize, manage and work on multiple projects and deadlines.

We rely on flexible, passionate and multi-talented personnel with a positive attitude and engaging personality. Candidates with great communication skills and a broad experience base are highly desired.

The ideal candidate must have a post-architectural degree, industry experience, highly motivated, have an interest in being involved in all areas of the architectural profession.

PERSONAL/PROFESSIONAL ATTRIBUTES:
Always seeking opportunities to preserve the world around them
Excellent judgment, initiates problem-solving with ease & optimism
Is highly self-motivated, completion oriented &resourceful

PROFESSIONAL EXPERIENCE:
Proficiency in Revit, Adobe, and MS Office
Experience with industry standards building rating systems

EMPLOYEE BENEFITS:
Competitive pay
Health insurance
Dental insurance
12 weeks paid paternal/maternal leave
401k plan
Paid personal time off (PTO)
Transportation incentive
Continuing education assistance
Professional development opportunities
Flexible work schedules to ensure a healthy work-life balance

TO APPLY:
Please submit a cover letter, resume, and relevant portfolio examples addressing what makes you the perfect candidate. No zip flies, and please limit items to 10MB.
Email materials to: info@pmapdx.com

We are an equal opportunity employer and welcome diversity in the workplace.

Part II: Tropical Modernism in a Multicultural Context at the Docomomo US National Symposium

In PART I we discussed the University of Hawaii at Manoa campus (especially the stunning Jefferson Hall), presentations on traditional architecture to mid-century modernism and Asian influences on the built environment in Hawaii, and the Residences of Wimberly and Cook. For Part II we are hopping back into the Aloha Spirit by discussing the regal Hawaii State Capitol Building, presentations on historic preservation and how Hawaii was influential and integral to international tropical resort design.
hawaii-state-capitol-bldg
HAWAII STATE CAPITOL BUILDING
I have only been to about ten state capitols across the U.S., but the Hawaii State Capitol building is unlike any I have experience. It is a truly welcoming structure, which is something unique among monumental civic structures (looking at you Boston City Hall). The Hawaii State Capitol was designed by Belt, Lemmon & Lo in association with John Carl Warnecke. While design of the building began in 1961, construction didn’t break ground until 1965, and the building was formerly dedicated on March 15, 1969. The Hawaii State Capitol celebrated its 50th anniversary in 2019.

An excerpt from Democracy by Design. The Planning and Development of the Hawaii State Capitol, with text by Don J. Hibbard states it best:

“Monumentally presiding over an eight acre site mostly carpeted by lawn, the Capitol is surrounded by a pool of water, evoking Hawaii’s island situation. The truncated cones of the legislative chambers, clad in cast stone made of crushed lava rock, rise from the reflecting pool, reminiscent of the volcanic origins of the islands. Also rising from the water are forty columns, bereft of capitals, instead flaring out of their crown like coconut palms. Standing almost sixty feet in height, the columns form a peristyle and support the extra-large fourth story, which cantilevers out beyond the columns. Serving as a cornice, the fourth story is distinguished by its open work frieze of pre-cast fins set in groups of eight, recalling the eight major islands of Hawaii. Placed free of the windows, the fins serve as decorative elements as well as sun screens. The recessed second and third floors are suspended from the fourth story, which also serves as the roof of the capital, with the governor and lieutenant governor’s offices in penthouses on top of the roof. Rising above the penthouses, the blue crown of the central rotunda echoes a volcanic crater, a graceful interpretation of the traditional statehouse dome.” (1)

hawaii-state-capitol-building-details
PARADISE PARADIGMS
DeSoto Brown
Kiersten Faulkner

These two presentations were an interesting pair. DeSoto Brown presented in a style reminiscent of informational videos produced in the 1950’s and 1960’s that were designed to encourage travel to the islands of Hawaii by showing the Aloha Spirit and all Hawaii has to offer. All the photos presented were from the archives. It wasn’t until after his presentation that he mentioned a majority of the structures pictured have since been demolished or severely altered. Remember, Hawaii was aggressively built up only since post-World War II!
downtown-honolulu
This made for a great transition into Kiersten Faulkner’s presentation on the threats and challenges of preservation and tropical modernist design – how to preserve architecture from so recent in the past. Turns out the issues (for the most part) mainland preservationist have are the same Hawaii preservationists experience. Similar to Oregon and elsewhere, that 50 year historic threshold causes a lot of havoc at times. What happens when a resource is 46 years of age in integral to our built heritage, but threatened with demolition because, sorry it’s not 5-0 historic! Kiersten also described how there is anger and hurt around some mid-century resources (mainly spiritual structures) because they replaced older structures on the same site. Interestingly enough, Hawaii doesn’t have a leg-up on mainland solutions for the intersection of preservation, sustainability, and climate change. I was a bit surprised when I asked a colleague that worked in the preservation community in Hawaii if they did anything specific to mitigating resources going directly to the landfill from demolition since they were on an island. The full answer was “No.”

DESIGNING PARADISE
Don J. Hibbard
Ron Lindgren

Designing Paradise focused on resort design in post-war Hawaii, specifically how it influenced tropical resort design throughout the world. The design and development of the Mauna Kea Resort and Ed Killingsworth Hawaii resort designs: Halekulani, Kapalua Bay Hotel, Mauna Lani Resort, Ihilani Hotel, and renovation of the Kahala Hilton Hotel were discussed. Don and Ron explained how the distinctive and elegant approaches to resort design seen at Mauna Kea Resort and the others would ultimately set the standards for tropical resort design throughout Hawaii and the world.

The Ed Killingsworth designs discussed were divine. The attention to detail Killingsworth incorporated into his creations was phenomenal to see and learn about. Those concrete spider legs that became a staple of his residential, commercial and resort designs are stunning architectural geometries for the eyes. Killingsworth was a planner for the City and County of Honolulu pre and post-World War II. While his resorts were interesting to learn about, Ron Lindgren discussed at length his residential designs in California.
waikiki-beach-diamond-head
Killingsworth personal residence was breathtaking. If only every house was designed with the level of attention, detail, and space planning that brings the indoors out and vice versa that Killingsworth executed. What caught my attention was how Killingsworth designed the kitchen at his personal residence in California. He had floating wood lower cabinets, which looked more like beautiful pieces of furniture than storage for kitchen-wares. Also, he did not use a backsplash – genius! Behind the floating cabinets with the kitchen sink, a full ceiling-to-floor window was used, including underneath the floating cabinets. This played a trick on the eye, with the abundance of natural light flooding from above and below the cabinets the space looked larger and lighter. Also, why are we SO obsessed with back-splashes and kitchen islands? His designs make the case for neither. His interpretations of lanai living was on full display in his California residence.

The Mauna Kea Resort. Laurance Rockefeller was the developer that brought the world to Kauna’oa beach, and ushered in a new era of tourism to Hawaii. The Mauna Kea Resort opened in the summer of 1965, and was designed by SOM in the most sophisticated mid-century style. Concrete has never looked as elegant as it disappears into the surrounding natural landscapes. It was the first resort along the coastline of Hawaii’s Big Island. Mauna Kea Resort also features a prominent art and artifacts collection. The contributions to the Big Island that Rockefeller enabled in the mid-century are still thriving today.
IBM-building-honolulu
Tropical Modernism in a Multicultural Context at the Docomomo US National Symposium was a delight to experience. The closing reception was at the Ossipoff designed IBM building (1962). Talk about an iconic Honolulu mid-century building. The exterior façade grille is retro yet timeless architectural elegance. And, it was fitting to have the opening and closing receptions at two distinct mid-century buildings in Honolulu designed by one of the most prolific architect’s in Hawaii.

I wouldn’t be able to end this two part blog without mentioning the hotel that hosted several social events, part of the symposium programming: the Surfjack. From the beautiful lanai, delicious restaurant with fantastic mai tai’s, to the quaint yet stylish rooms, the POOL, and welcoming staff. The Surfjack felt like a home away from home in the heart of downtown Waikiki.

For designers, architects, planners, preservationists, and those generally interested in mid-century design, Docomomo US National Symposium is a MUST on your list of mid-century focused events.
surf-jack-hotel

Written by Kate Kearney, Associate.

1. The Hawaii State Foundation on Culture and the Arts in accordance with the recommendation of The Task Force to Plan and Coordinate the Celebration of the Fiftieth Anniversary of the Hawaii State Capitol. Democracy by Design. The Planning and Development of the Hawaii State Capitol, by Don. J. Hibbard. Honolulu, 2019.