Author Archives: Kate Kearney

Leaping into the New Year

happy-holidays-2020-pmapdx

THIS YEAR. We could not have navigated 2020 without you and we thank you for your patience, trust, and partnership. We wish you a holiday season filled with warmth and rest, and look forward to collaborating with you in 2021.

Air hugs and elbow bumps,

Peter Meijer Architect, PC
Kate, Skyla, Peter, Tricia, Halla, Hali, and Julia

2020 Community Outreach
As we come to the end of an unprecedented year, we must continue to support our communities in need. In 2020 we supported organizations that provide vital resources for some of Oregon’s most vulnerable community members, including the Giving Tree, Rose Haven, the Oregon Food Bank, Renovate PDX, Your Street Your Voice/ Camp ELSO, Self Enhancement, Inc. (SEI), and Designing Justice + Designing Spaces.

2020 Project Highlights
In 2020 we continued collaborating with Home Forward on the historic renovation and seismic update of Fountain Place Apartments, partnering with Lorentz Bruun Construction. 2020 also brought another important affordable housing project with Home Forward, Dahlke Manor, with the opportunity to partner with WALSH. We performed a window assessment of a converted industrial warehouse, and assessed 612 steel windows on-site by drone! Our office was honored to be part of project teams that won AIA Oregon Architecture Awards and a Restore Oregon, DeMuro Award. 2020 wrapped up with winning an exciting survey & inventory project of mid-century modern resources in Clark County, Washington.

2020-aiai-oregon-architecture-award-pmapdx

2020-aia-oregon-architecture-award-pmapdx

2020-mea-smpsoregon-award-pmapdx

Mid-Century School Design and Its Role in the Pursuit of Education

Schools come in all shapes and sizes. They are one-story and two-story. Schools serve young children, teenagers, and adults alike, and they are designed in all manner of style. In most instances, schools appear to be historic because of these architectural features. However, there is another yard stick with which to measure school building’s role in architectural history. As with all things, time changes our understanding and perspective, and educational theory is no different. Each school building reflects modern thought and beliefs of the era.

When imagining a school that is two-stories, designed in a classical, Spanish, or other revival style with a central corridor flanked by classrooms, it is likely to be a school from the Progressive era of education. The Progressive Era spans from the end of the nineteenth century to World War II. During this period, there was a shift from informal education to an organized system structed by putting age groups into grade levels and creating a curriculum based on intellectual rigor and mental discipline.
progressive-era-school-design-oregon-pmapdx
EARLY TWENTIETH CENTURY SCHOOL DESIGN
By the early twentieth century, school buildings were becoming more specialized and standardized as educators pushed for more control of school design. Plan books and design guides for educational buildings were introduced. There was a movement to make schools a healthier environment, improving ventilation and illumination. H-plan schools were introduced to bring more light and air into classrooms. Early twentieth-century school buildings typically featured traditional architectural styles, monumental designs, symmetrical facades, oversized entrances, and rectangular plans. Designed as civic monuments, the architectural focus was on building a school that would be a source of community pride. [1]

However, despite various applied stylistic details on the exteriors, the interiors were generally the same. The classroom was the basic building block for the school building, stacked vertically and horizontally to form a school. Classrooms were identical and all featured fixed desks facing the teacher at the front of the room with windows along one wall providing a single-direction light source. The emphasis was on order and authority. [2]
mid-century-school-design-oregon-pmapdx
In 1918, the federal Office of Education published Cardinal Principles of Secondary Education. It established a list of seven key elements that education should encompass: command of basic skills, health, family values, vocation, civic education, worthy use of leisure time, and ethical character. Clearly influenced by Progressive ideals, the publication emphasized personal development rather than academic criteria. [3] It developed seven tenets of Progressive education: freedom to develop naturally; interest in the motive of all work; the teacher as a guide, rather than task-master; scientific study of pupil development; greater attention to conditions that affect a child’s physical development; co-operation between school and home to meet the needs of child-life; and the Progressive as a leader in educational movements. Progressive educational ideals were being widely implemented in schools by the 1930s. [4]

There was a considerable lack of new schools constructed between 1930 and 1945, due to a lack of funding during the Great Depression and lack of available building materials during World War II. Educators at the 1947 National Conference for the Improvement of Teaching recommended a ten-billion-dollar building program over the next decade to meet the classroom demand, estimating that “between 50 and 75 percent of all school buildings were obsolete and should be replaced immediately.” [5] At the time, general consensus among educators was that the lifespan of a school was 25 to 50 years after which new teaching methods and technology made it obsolete. Moreover, the population of the United States was increasing at a faster rate than schools could keep up with and soon overcrowded schools became commonplace. New schools were desperately needed, and like the previous Progressive era schools reflected education theory of the day, so too did mid-century schools.
mid-century-school-design-oregon-pmapdx
MID-CENTURY SCHOOL DESIGN AND PLANNING
After World War II, schools stopped serving just the physical and educational needs of students but took interest in nurturing students’ emotional development. Schools of this era were typically long and low, one-story buildings designed in the International style with enormous windows, light-filled courtyards, and a decentralized floorplan.

According to mid-century educators, successful school planning required balancing three primary concerns: environment, education, and economy. The district needed to provide the best possible environment for students and teachers in order to facilitate learning while working within the limitations of the budget. [6] New schools had to meet both physical needs – sanitary, safe, quiet, well-lit – and emotional needs – pleasant, secure, inspiring, friendly, restful. In the Northwest, most schools reflected regional style by incorporating an interior courtyard. [7] During this period, the progressive theory of education was common. This theory was based on the concept that education should include the general welfare of students, not just their intellectual development, and that students should aspire to individuality not conformity. Teachers were encouraged to have a democratic classroom where they worked collaboratively with students rather than lecturing, and assignments were active and engaging rather than reading and watching. Additional topics were added to the curriculum that would better prepare students for the next phases in their lives, these topics included woodshop, home economics, and physical education. The general welfare of students was better minded and encompassed hot lunches, health services, and changes to disciplinary actions. [8]

The other hurdle for school districts was the rising cost of construction in the post-War era. For example, in 1930, $100,000 would buy a ten-room school, in 1940, it would buy an eight-room school and in 1950, it would buy a four-room school. [9] Fortunately for school district budgets, many communities wanted modern design schools rather than the neo-classical or art deco designs from previous decades, and these modern designs were less expensive to build. Mid-century schools and houses utilized new technologies, materials, and mass production methods to meet the demand for affordable and fast construction. [10] Classrooms also featured extensive built-ins that included sinks, slots for bulky roles of paper, and coat storage.
mid-century-school-design-oregon-pmapdx
TYPICAL MID-CENTURY DESIGN ELEMENTS
Mid-century schools and suburban housing shared many design elements, including: floorplans laid out to maximize space and flexibility; floorplans, fenestration, and landscaping designed to create connections between indoor and outdoor spaces; facades featuring large windows and ribbon windows; buildings designed to accommodate easy expansion later; decorative elements replaced with contrasting wall materials on the exterior; floorplans encouraged socializing; single-story designs with flay or low pitch roofs and deep eave overhangs; and buildings integrated into the landscape. Mid-century schools featured larger sites and a greater emphasis on landscaping and outdoor recreation. This resulted in more sprawling school designs. Instead of compactly containing all school facilities within a single rectangular block, facilities were clustered by function, such as separating quiet classrooms from noisy cafeterias. Plans were often irregular.

Schools are designed from the inside out and what is on the inside reflects education theory and beliefs of the day. The next time you admire a school’s architecture, be sure to notice more than its visual aesthetic, but its role in the pursuit of education.

Written by Tricia Forsi, Preservation Planner.




Sources
[1] Donovan, John J. School Architecture: Principles and Practices. New York: MacMillan Company, p. 24
[2] Weisser, Amy S. “’Little Red School House, What Now?’ Two Centuries of American Public School Architecture.” Journal of Planning History. Vol. 5, No. 3. August 2006, p. 200
[3] Graham, Patricia Albjerg. Schooling America: How the Public Schools Meet the Nation’s Changing Needs. New York: Oxford University Press, 2005, p. 76-77
[4] Weisser 2006, 203
[5] Benjamin Fine, “Broader Vocational System Is Advocated to Help Meet Modern Industrial Needs,” New York Times, April 11, 1948.
[6] William W. Caudill, Toward Better School Design, New York: F. W. Dodge Corporation, 1954,
[7] Entrix, Inc., Portland Public Schools Historic Building Assessment, October 2009, p. 3-18
[8] “Modern Design Transforms Schools.” New York Times. August 24, 1952; “Modern Schools Are Built to Fit Child Emotionally and Physically,” New York Times, December 23, 1956; New Schools of Thought: Modern Trend in Education Is Reflected in Buildings Themselves,” New York Times, December 16, 1952; Abigail Christman, National Register of Historic Places Nomination: Colorado’s Mid-Century Schools, 1945-1970,” May 1, 2017
[9] “New Schools, U.S. Is Building Some Fine Ones But Is Facing A Serious Shortage.” Time. October 16, 1950, p. 80
[10] Otaga, “Building for Learning in Postwar American Elementary Schools.” p. 563.

pps-grant-hs-modernization

PPS Grant High School Modernization

Grant High School is a historically significant resource, and a neighborhood landmark that contributes to the greater community it serves. As part of Portland Public Schools Long Range Facilities Plan, Grant High School received a modernization and historic rehabilitation led by a multidisciplinary design team. The design team thoughtfully updated the high school campus, with an emphasis on sustainable and cost effective solutions, while celebrating the historic integrity of this neighborhood landmark.

Our office was the historic architect responsible for a building envelope condition assessment and masonry analysis, coordination between the design team project managers and the State Historic Preservation Office (SHPO) regarding impacts to the historic fabric of the campus, including major door and window improvements, restoration of terracotta, brick, and mortar replacement, and interior architectural significant elements. All work was completed in accordance with the Secretary of the Interior’s Standards for the Treatment of Historic Properties.

Read about our assessment and analysis of the historic masonry facades performed ahead ahead of the modernization and historic rehabilitation.

AWARDS
2020 AIA Architecture Awards, Honor Award
2020 Restore Oregon, Demuro Award

Building Insulation and Historic Masonry Structures at APTNT2020

The proper application of building insulation for historic masonry structures is a hot topic in the world of heritage conservation. Owners of historic residential, commercial and institutional masonry buildings have the unique challenge of how to maintain these structures with the latest building technologies without compromising any historic character.

As a topic we routinely discuss solutions for with our clients, we are excited to share Daniel S. Castele, Architectural Conservator & Designer, Peter Meijer Architect, PC, will be presenting at HINDSIGHT 2020 on: Insulating the interior face of historic masonry building envelopes in cold climates: a review of prescribed techniques and pitfalls.
pmapdx-apt2020
The Association for Preservation Technology & the National Trust for Canada have partnered to present, HINDSIGHT 2020 (October 1-7, 2020), a fully virtual conference, that will explore the role of heritage conservation in the 21st century. Leaders within the architectural, engineering, construction, preservation, conservation, policy, and design communities, will present on the intersection of heritage conservation and technical, design, policy and community issues.

DAN’S PRESENTATION AT A GLANCE
The need to insulate walls of historic buildings to meet ambitious energy performance targets has been a rising concern in the preservation community. Due to preservation code and accepted best practices, it is not viable to add insulation to the exterior of an existing historic building. In response to this a common approach is to insulate the interior face. While this method of wall insulation can significantly reduce heat loss and improve thermal comfort in cold climates, it also raises concerns about damage to historic fabric. This study examines the current guidance available to project teams. Publications from North America and Europe have been systematically reviewed for guidance on retrofit techniques and evaluation methods. The study reveals a wide range of both prescriptive and performance-based recommendations.

This presentation will explain the progressive research behind a comprehensive and in-depth study of guidelines and professional practices related to internal wall insulation retrofits in historic buildings of North America. The study is part of larger ongoing research into net zero historic buildings. For which, the presenters single-handedly collect and review guidelines for trends, similarities, and differences. The presentation will be based both on research gathered from other professionals and first-hand experience and research conducted by the presenters themselves.

KEY LEARNING OBJECTIVES
Explain the issues, risks, and benefits associated with insulating the interior envelope of mass masonry walls of historic structures; Discuss insulation approaches for masonry envelopes offered in existing guidance from the preservation community and government whitepapers; Discuss commonly used wall insulation details in practice in Canada, USA, & Europe; Compare performance-based approaches and prescriptive recommendations.

To learn more about the conference and to register, please visit: HINDSIGHT 2020.

5 Questions with PMA’s Research & Sustainability Intern, Julia Kramer

pmapdx-intern-julia-kramer
This summer Julia Kramer had the opportunity to participate in a paid internship at PMA. It has been a delight to have Julia working with all levels of staff at PMA to assist with our sustainability initiatives for historic properties. In addition to working as an intern, Julia is a graduate teaching assistant at Portland State University. She is currently in her third and final year of completing her Master of Architecture Degree & Graduate Certificate in Urban Design at Portland State University. Julia is a member of the Society of Architectural Historians, the Architecture Lobby, Portland Chapter, and Women Also Know History.

Describe the focus of your internship at PMA. What aspects of your internship opportunity have you enjoyed most?
The focus of this internship is spread out into several initiatives PMA is making towards sustainability. I am working on collecting resources for an upcoming presentation, making connections in the local community for opportunities to recycle demolition waste, finding innovative processes to recycle or reuse of demolition waste, and looking at innovative strategies in creating and monitoring efficient building envelopes in historic buildings. Overall, the aspect of this internship I am enjoying the most is learning how historic preservation plays a crucial part in the design of sustainable buildings and cities, and all of the fascinating technologies that contribute to the actualization of those spaces.

Has your internship changed your perspective on historic preservation, or working with existing resources?
Absolutely! Throughout my architectural education, I have found myself consistently interested in architectural history. It wasn’t until recently that I understood what I am truly passionate about is Historic Preservation. I have found that my work as a creative person, an activist, and community member can be best expressed through working in Historic Preservation. This work allows me to use my knowledge and passion of architecture, art, and history, to actively support communities and cultures, seek sustainable solutions that work with the already built environment, and overall offers creative challenges that continually spark my curiosity.

How will your internship experience influence your studies when you return to school?
As a student in my third and final year at PSU I will begin my thesis project in the Fall and am considering a few topics, all related to historic preservation. Through this internship I have gained invaluable tools including new knowledge, resources, mentors and connections with real leaders in this field.

Do you have a favorite aspect about architecture or historic preservation?
My favorite aspect of architecture and historic preservation is that I have the privilege of doing work I truly believe in. As an architectural designer with a passion for historic preservation I seek to be a collaborative member in the design, redesign, and celebration of cities and their citizens. I believe to do so, it is important to recognize the memory and heritage of each space, and seek to preserve, teach, and tell the histories and narratives of those spaces.

Do you have any tips for working remotely for a new firm during these pandemic/quarantine times?
Working for a new firm during these pandemic/quarantine times has gone really well. I believe it has a lot to do with the small firm culture that exists at PMA. I have felt like a recognized member of the firm, am asked how I am and what I am up to every morning during our zoom meeting, and have been reached out to by all members of the firm at some point. Even taking our lunch breaks together over zoom sometimes. I think the effort put into those small aspects have made a great impact in creating a sense of firm community.

It Is Time To Get To Work

It is time to get to work. The architecture and preservation communities have a significant amount of work to do. This is a start of the important work to be done to increase visibility and tell the fuller story.
black-lives-matter-architecture-resources
ARCHITECTURE + DESIGN
African American Cultural Heritage Action Fund
Beyond the Built Environment
Black Artists + Designers Guild
Blacks Who Design
Black Interior Designers Network
Black Design Collective
Black Females in Architecture
BlackSpace
Brandnu Design
Creative Action Lab
Creative Equals
Deem Journal
Design Can
Design Diversity
Design Indaba
Designing Justice + Designing Spaces
Female Design Council
Hip Hop Architecture Camp
National Association of Black Women in Construction
National Organization of Minority Architects
Now What?! + ArchiteXX
Organization of Black Designers
People of Craft
Studio SUMO
The Designer’s Workshop

DONATE + SUPPORT
ACLU
Black Lives Matter
Black Visions Collective
The Bail Project
Campaign Zero
Color of Change
Equitable Giving Circle
Mercatus: PDX Black-Owned Business Directory
NAACP Legal Defense Fund
PDX Directory of Black-Owned Restaurants
Reclaim the Block
Transgender Gender-Variant & Intersex Justice Project
Unicorn Riot

LITERATURE
Ally Resources
A guide to fair, safe, and effective community policing
List of books via Medium to assist in checking your white privilege
SPACE/RACE

Architecture from the 1970s is officially historic!

The 1970s have turned 50. Whether you love the groovy lines, metallic finishes, whimsy super-graphics, or hate the monolithic and corporate concrete facades, architecture from 1970 is officially historic. One more time for those in disbelief that 1970s era architecture has reached its golden anniversary: 1970 architecture is historic! Get ready for the National Register of Historic Places to have some righteous listings.

The Portland metro-area is rich with architectural resources from the 1970s. The Standard Insurance Center (1970), Portland Plaza (1973), Foursquare Church (1976), Union Bank of California Tower (1972), and the Wells Fargo Center (1972) to name a few. Additionally, there are several residential examples from the 1970s, including Dahlke Manor.
Dahlke-Manor-pmapdx-rendering
DAHLKE MANOR
Dahlke Manor was constructed in 1971 and features a nine-story tower, housing 115 one-bedroom units, and a 1-story community space/maintenance room connected to the tower by an elongated lobby. Dahlke Manor is located in the Irvington Historic District and Albina Community Plan Area, and owned by Home Forward. The property is reserved for a community of seniors and persons with disabilities, and features a community room with kitchen, on-site laundry, and landscaped grounds. Presently, we are working with Walsh Construction on a comprehensive renovation to the property and site.

Proposed scope of work includes a variety of minor alterations to provide modern amenities to the residents of Dahlke Manor. In addition to interior renovations to the units and 1-story common area, exterior alterations include a small 725 square foot addition where the existing kitchen will be relocated to. The addition is proposed to be located to the north of the community space – and to the west of the maintenance room. The addition is slightly offset from the adjacent existing building facades to remain. The stepping serves both as a reference to the tower’s stepped footprint and to create a clean transition between existing and new materials. The addition will match the height of the adjacent community and maintenance rooms.

Project Manager Hali Knight, Assoc. AIA, and Halla Hoffer, AIA, Assoc. DBIA, sat down to discuss their design philosophy and the design process for the renovation of Dahlke Manor.

What are the steps in the design process for this project?
HK: The design process has been a collaboration with the client, Home Forward, Walsh Construction, and our subconsultants. During schematic design, the process was iterative, each week looking at several design options which were presented to address the client’s needs. The design was refined with the received feedback until a solution that met the design intent and the client/users’ needs was reached.

HH: The first step was to learn about the client and user needs. Following that we explored the existing building. Renovation projects are always unique challenges because each building has its own challenges and opportunities. Only after understanding what the clients/users need and what the building can provide is it possible to begin designing.
Dahlke-Manor-pmapdx-rendering
What are the challenges for this project?
HK: In retrofitting existing buildings, there are challenges updating program needs with in an existing structure. A challenge for Dahlke was meeting the zoning requirements for within a historic neighborhood. Like typical 1970s developments, the site plan has a low sprawling building and large tower plopped in the in middle of the site and surrounded with parking. Addressing the historic language of the neighborhood while providing required site pedestrian access, parking, stormwater management, and utility needs proposed unique design challenges.

HH: As with many projects, cost can be a challenge. With this project we are working with Home Forward and Walsh to maximize the impact of the project budget to provide continued and improved services and amenities to residents.
Dahlke-Manor-pmapdx-rendering
What is your approach for solving these project challenges?
HK: The design team has approached these challenges by proposing site upgrades that benefit both the residents and neighborhood. Currently, the site is dominated by vehicle circulation without designed outdoor space for the residents to enjoy. Our team has designed an outdoor community spaces for the residents that helps softens the site and provides a place for residents to enjoy their neighborhood. Additionally, the design brings the project up to current code compliance for many zoning regulations including landscape screening and bike parking.

HH: We often review scope with Home Forward and Walsh to determine how best to spend the project budget. We continuously discuss which elements will have the biggest impact on improving the space and usability. The collaboration feasible in a Design-Build projects allows us to hone into the most impactful scope items and prioritize those.
Dahlke-Manor-pmapdx-rendering
What do you see as important issues and/or considerations for this project?
HK: This is an affordable housing project and many of the residents are elderly or have mobility challenges. A large aspect of this project was to provide accessible units and community spaces that enhance the livability for residents. The site elements have also been designed to speak to the historic district with new site fencing that bends with new landscape, revised site lighting, and unifying addition on the ground floor.

HH: The building was constructed in the 1970’s and is quite utilitarian in style. The interior walls are constructed out of exposed CMU and structural brick. One of the challenges we have faced is how to update the interior finishes to provide spaces that are more welcoming without losing the character of the building.
Dahlke-Manor-pmapdx-rendering
What is your design philosophy?
HK: I believe as architects we have a responsibility to design our built environment in ways that provide elegant solutions for the safety, health, and wellbeing of the inhabitants. This includes designs that are accessible to all users, that speak to environmental and cultural stewardship, and that create places that enrich day to day activities.

HH: I get excited about opportunities to explore how we can update our existing buildings. Each new project is a unique challenge – that can help guide the design process. I think it is important that we find ways to ensure existing buildings remain functional for modern uses.

Understanding the Veracity of In-Situ Data Acquisition on Historic Buildings

Many historic preservation, restoration, renovation, and/or adaptive reuse projects require the analysis of existing building materials. This could be to meet demands for repair treatments, ensure energy performance targets, or research the history and authenticity of a building or site (amongst many others). Projects often call for advanced analytic techniques such as infrared thermography, RILEM tube water absorption, acid-dissolution of mortar, petrography, x-ray diffraction, and a plethora of other scientific tests to ensure a proper understanding of the chemical and physical properties of the existing building materials. These tests are often costly and time-consuming. For these reasons, many projects rely on results from a single test, or a small handful of tests. This begs the question, are the results from a few analytical or forensic tests representative of the entire building (either in its performance or historical characteristics)?
QAHSC-south-wall-pmapdx
HISTORIC BUILDING MATERIAL PROPERTIES
Historic buildings present unique challenges. Unlike modern construction, historic buildings were built in a time without the same levels of standardization and mass-production that we see today. Home Depot was not a thing yet, and in its place, contractors were reliant on local hardware stores or local/regional distribution sources for building materials. In many cases, they made their own! As a result, when analyzing historic buildings today, the material properties are generally unknown and undocumented.

TIME AND THE ELEMENTS
Adding to the unknown is the process of time. Mother nature and the elements are a continuous impact – weathering historic buildings and changing the chemical and physical nature of extant materials. Different parts of a building will also weather at different rates, depending on several variables such as orientation, exposure, occupation, micro-climates, site and neighboring elements, water migration, and so on. There is also a good chance that over the years many repairs have been made, creating a patchwork of different materials. This creates buildings with highly varying characteristics and performance when measured in-situ.





Written by Daniel Castele, Designer and Conservator.

March is Women’s History Month

March is Women’s History Month, and we thought it fitting to celebrate the women that shape, contribute to, and inspire every aspect of our practice. Actively engaging in a more inclusive and equitable work place is an integral part of our firm philosophy. This is reflected by the 71% female representation across all levels of staffing at PMA. Below is a snapshot of the women at PMA, from what they contribute to, how they spend time outside of the fast-pace world of architecture and design.

pmapdx-march-womens-history-monthROLE: Associate / Architectural Designer
EDUCATION: Master of Architecture, University of Oregon; Bachelor of Arts, Architecture, Cum Laude, Clemson University

While at PMA Halimeda has completed numerous projects, primarily with a focus on restoration and building enclosure design for historic civic and educational facilities, and commercial tenant improvements. She understands how to effectively balance a strong design concept with the cost, sustainability, and goals of the client.

Halimeda is passionate about being an active and contributing member of her community and was a director of the local non-profit Open Architecture for 4 years. Living sustainably and mindfully are important to her. She feels rejuvenated when spending time in nature and her garden, making meals to share, playing music with friends, and reading a new book.

pmapdx-march-womens-history-monthROLE: Associate / Architect
EDUCATION: Master of Architecture, University of Oregon; Bachelor of Arts, Architecture, University of California, Berkeley

Halla is passionate about rehabilitating historic and existing architecture. Her career has encompassed civic structures and sites, K-12 and higher education facilities, affordable housing, and working directly with private development companies on renovation and rehabilitation projects. Halla’s approach balances technical knowledge, while excelling at organizing project processes to maintain schedule and budget.

She is a registered architect in the state of Oregon, and an Associate Design-Build Professionals (Assoc. DBIA). The Design-Build Institute of America is the only organization that defines, teaches and promotes best practices in design-build project delivery.

Halla’s favorite thing to do outside of the office is check out all of the different rivers, lakes, and streams throughout the PNW.

ROLE: Associate / Marketing
EDUCATION: Bachelor of Arts, Art History, Lewis & Clark College

A creative with a background in the arts – a former professional ballet dancer, lifelong painter, holds a Bachelor of Art, Art History – that works within the world of professional services marketing. Her education and professional experience have trained her to visually communicate complex ideas via a creative lens, implement strategic planning framework, and develop client-care best practices.

Giving back to the community has been a common thread throughout Kate’s career and education. She fulfills this through her involvement with local nonprofits by serving on their board of directors, volunteering her services, or assisting with fundraising opportunities. Kate is the current president of Docomomo US/Oregon, a local chapter of a national nonprofit dedicated to moving modern forward.

pmapdx-march-womens-history-monthROLE: Architectural Designer
EDUCATION: Master of Science of Architecture, University of Oregon; Master of Science in Historic Preservation, University of Oregon; Bachelor of Science in Architecture, Magna Cum Laude with Honors in Architecture, The Ohio State

Skyla’s interest in architecture and design began in grade school, and has since grown into a career dedicated to solving unique building enclosure challenges for historic properties. In her role as architectural designer, Skyla has worked on small-to large-scale projects from sustainable and historic materials research to construction documents. She is a team player that strives to bring preservation to the community in a way that is approachable, supportive, and celebrates local history.

In her free time, Skyla enjoys collaging, catching up with her friends and family, and spending time with her rescue cat Olive. Some of her favorite PNW activities include berry picking on Sauvie Island and hiking at Mt. St. Helens.

pmapdx-march-womens-history-monthROLE: Preservation Planner
EDUCATION: Candidate for Degree of Masters of Business Administration in Non-Profit Management, University of Portland; Masters of Science, Architectural Conservation, University of Edinburgh; Bachelor of Arts, History with honors, Amherst College

Tricia is a preservation planner with 5 years of experience on a wide variety of preservation projects. Her specialties include communicating and coordinating project deliverables with local, state, and federal historic review agencies, National Register Nominations, Federal Historic Tax Credit applications, State Historic Incentives, and conducting historic resource evaluations and surveys. She is dedicated to the process of reinvesting in our existing and historic properties.

Outside the office she is #optoutside in all manners of ways including hiking, backpacking, and climbing with her husband and rescue lab-mix pup, Juniper. She is an avid Ultimate player and currently the president of Portland Ultimate, a local nonprofit offering playing and growth opportunities to youth and adults.

La-Grande-Commercial-Historic-District-Conceptual-Design-Program

La Grande Commercial Historic District Conceptual Design Program

The La Grande Commercial Historic District is comprised of buildings which date from 1891 to 1948, and range from primarily vernacular in character to Italianate, Romanesque Revival, 20th Century Commercial, American Renaissance, and Modern. The buildings in the Historic District are significant for reflecting the early development of La Grande in relation to its local community and to regional trade and transportation throughout Northeast Oregon.

The City created the La Grande Commercial Historic District Conceptual Design Program with the goal of matching property owners with better preservation design resources and best practices to assist them in creating renovation and budget strategies for their historic properties that is in accordance with local preservation standards and guidelines and the Secretary of the Interior’s Standards for Rehabilitation, and best practices for historic properties.

Our office was matched with a building owner within the Historic District and helped them build knowledge and awareness about appropriate designs, means, methods, materials, and costs for addressing their historic renovations. We provided conceptual-level façade renovations, including drawings, material suggestions, and recommendations for further due diligence by the owner.